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University of Chicago Press Books: New books
The latest scholarly and general books from the University of Chicago Press.

  • Ancient Mesopotamia at the Dawn of Civilization
    Guillermo Algaze

    The alluvial lowlands of the Tigris and Euphrates rivers in southern Mesopotamia are widely known as the “cradle of civilization” owing to the scale of the processes of urbanization that took place in the area by the second half of the fourth millennium BC.
                In Ancient Mesopotamia at the Dawn of Civilization, Guillermo Algaze draws on the work of modern economic geographers to explore how the unique river-based ecology and geography of the Tigris-Euphrates alluvium impacted the development of urban civilization in southern Mesopotamia. He argues that these natural conditions granted southern polities significant competitive advantages over their landlocked rivals elsewhere in Southwest Asia, most importantly the ability to easily transport commodities. In due course, this resulted in increased trade and economic activity and higher population densities in the south than were possible elsewhere. As southern polities grew in scale and complexity throughout the fourth millennium, revolutionary new forms of labor organization and record keeping were created, and it is these socially created innovations, Algaze argues, that ultimately account for why fully developed city-states emerged earlier in southern Mesopotamia than elsewhere in Southwest Asia or the world.

  • Ancient Shore
    Shirley Hazzard and Francis Steegmuller

    Born in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. Battered by World War II, Naples would remain for decades one of the most violent and impoverished places in Italy, but in its passion, vivacity, and beauty, the city still justified the loving words written about it by Goethe, Byron, and other literary travelers over the centuries.
                The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present: “The ghosts of this region are too many, and too vital, to sadden us,” Hazzard writes. “Rather, they create a company, ironic and benign, to which we ourselves may ultimately hope to belong.” With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it.
                Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted.

  • Art, Community and Environment
    Edited by Glenn Coutts and Timo Jokela

    Art, Community and Environment investigates wide-ranging issues raised by the interaction between art practice, community participation, and the environment, both natural and urban. This volume brings together a distinguished group of contributors from the United States, Australia, and Europe to examine topics such as urban art, community participation, local empowerment, and the problem of ownership. Featuring rich illustrations and informative case studies from around the world, Art, Community and Environment addresses the growing interest in this fascinating discipline. 
     

  • Australian Post-War Documentary Film
    Deane Williams

    The postwar period in Australian history was rife with critical debate over notions of nation-building, multiculturalism, and internationalization. Australian Post-War Documentary Film tackles these issues in a considered, wide-ranging analysis of three types of documentaries: governmental, institutional, and radical. Charting the rise of progressive film culture, this volume critiques key films of the era, including Back of Beyond, and retells film history by placing these documentaries in an international context.
     
    “A significant contribution to documentary history, the history of left-wing thought in the West, and Australian studies.”—Ian Henderson, Editor of Studies in Australasian Cinema
     
    “Deane Williams re-evaluates Australian documentary film production after World War II, positioning it as part of an international left culture which can embrace producers as different as the Realist Film Unit, Cecil Holmes, John Heyer and Maslyn Williams. He invites readers on an always enlightening and often exciting journey through a complex web of people and films and events, to view Australian culture through the documentary film ‘arc of mirrors’.”—Ina Bertrand, University of Melbourne
     
    Australian Postwar Documentary Film: An Arc ofMirrors is a thoroughly and painstakingly researched study of its subject, which draws upon a wealth of new oral and other forms of historical resource related to the Australian labour movement and associated film-making.”—Ian Aitken, De Montfort University
     
    “With erudition and insight, Deane Williams in this book reconstructs a previously obscured era of documentary cinema in Australia, shedding light on the network of affiliations and associations that underlay the making of a cluster of compelling, politically charged documentary films in the postwar era. . . . This is an immensely thoughtful and timely contribution to the growing literature on the history of documentary cinema.”—Charles Wolfe, University of California, Santa Barbara 
     

  • Autophobia
    Brian Ladd

    Cars are the scourge of civilization, responsible for everything from suburban sprawl and urban decay to environmental devastation and rampant climate change—not to mention our slavish dependence on foreign oil from dubious sources abroad. Add the astonishing price in human lives that we pay for our automobility—some thirty million people were killed in car accidents during the twentieth century—plus the countless number of hours we waste in gridlock traffic commuting to work, running errands, picking up our kids, and searching for parking, and one can’t help but ask: Haven’t we had enough already? After a century behind the wheel, could we be reaching the end of the automotive age?
     
    From the Model T to the SUV, Autophobia reveals that our vexed relationship with the automobile is nothing new—in fact, debates over whether cars are forces of good or evil in our world have raged for over a century now, ever since the automobile was invented. According to Brian Ladd, this love and hate relationship we share with our cars is the defining quality of the automotive age. And everyone has an opinion about them, from the industry shills, oil barons, and radical libertarians who offer cars blithe paeans and deny their ill effects, to the technophobes, treehuggers, and killjoys who curse cars, ignoring the very real freedoms and benefits they provide us. Focusing in particular on our world’s cities, and spanning settings as varied as belle epoque Paris, Nazi Germany, postwar London, Los Angeles, New York, and the smoggy Shanghai of today, Ladd explores this love and hate relationship throughout, acknowledging adherents and detractors of the automobile alike.
     
    Eisenhower, Hitler, Jan and Dean, J. G. Ballard, Ra